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Chris Brian is an
impatient/patient artist, a man with a mission. He is, he maintains, still
looking for confidence-particularly as he seeks balance in his compositions—while
attempting to find the essence of images. He is passionate in his study
of the old masters; Caravaggio is, in a sense, his mentor. Like him, Brian
goes to canvas, skipping the preliminaries of drawing, loving the feel
of the art materials. While investigating the Old Masters’, Brian develops
visual narrative; he loves studying art history books, and the viewer
can see influences from Millet and Bouguereau. His still lives are beautifully
rendered, and he is particularly insightful when interpreting light. He
feels humbled by the classical works of the 15th through the 17th centuries,
including the Renaissance and Baroque periods.
A student of Classical
Realism, Brian paints in oil because of the proven permanence and lasting
beauty of this medium; the paintings can last for 400 years. When coloration
is done well, “it’s like candy for the eyes”, he states. His prizewinning
still life, ‘Onions and Garlics’, is very effective, both in its depth
and lighting as well as in its minimal use of color. ‘Morning in Deep
Woods’, is a moody, misty oil on canvas painted with astute understanding.
His penetrating eye sees interactions of color and light that we associate
with the Old Masters. Brian has a great reverence for a well-executed
painting; he maintains that he “would like to interview Rembrandt”. Brian
is an artist to watch. This former businessman used to employ 50 people,
but states that “making art is even more challenging”.
Chris Brian is a refreshing
and intelligent painter, a thoughtful man “on purpose”. He, like other
mid-career artists, is investigating and reinterpreting the concepts of
art history, while also searching for beauty; qualities that I find coming
back into art these days. I recommend Chris Brian’s work enthusiastically.
Daniel Brown
International Society of Art Critics
New York and Paris
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